Ai Weiwei, edited and translated by Lee Ambrozy, Ai Weiwei’s Blog, 2006-2009. This book offers a collection of Ai’s online writings translated into English – the most complete, public documentation of the original Chinese blog available in any language.
| Artist / Author | Ai Weiwei |
|---|---|
| Editor | Lee Ambrozy |
| Publisher | MIT |
| ISBN | 9780262015219 |
| Reference | P1759 |
| Date | 2011 |
| Type | Publication |
Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021
In June 2020, a group of 23 creative practitioners came together in virtual spaces to think, talk, listen and dream, learning from each other and through the act of dialogue. These writings reflect some of their thinking, on where we are now and some of the paths forward. FIELD notes is a call for change with care and transparency at its core.
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Documents Bern’s performance scene. In German.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.