A conversation between the founders of Artleaks platform as an example of an organization of artistic workers struggling against exploitation, together with the limitations which such coming together into an association necessarily implies, from the difficulty of union organizing of the so-called creative workers to the lack of political force that would press for the transformation of social relations.

The book encompasses unusual and cutting-edge foods, radical dining events, “kitchen laboratory” experiments, food sculptures and other documentation of the transient moments that make up this field of experimentation’, as well as a study of the connections between dining, theatre and ritual, and a survey of recent research in science and technology, and how this may impact on how we make, eat and perceive food.

Catalogue of a practice-based research project under the direction of Paul Heritage that aims to create a live and interactive exhibition illustrating and investigating how young people transform their worlds through the arts.

This report defines practical steps and frameworks for good practice of collaboration between visual artists, publicly-funded institutions, communities and audiences.

Take The Money And Run? was an event about ethics, funding and art that took place at Toynbee Studios, London on January 29, 2015 – a day of presentations and discussion hosted by three organisations, Live Art Development Agency, Artsadmin, Home Live Art and produced in collaboration with Platform. This is Mary Paterson commissioned written response to the event.

The Disagree. magazine is a result of the cooperation between a changing group of artists, curators, and theoreticians operating fully independently.  They join forces under the name of the Disagree. Art assembly.  Those who write for the Disagree. magazine automatically become part of the editing team and thus of the assembly.  The editors of the first issue are Jeff Poak, Jean Gotthard, Harald Pogel, Nazim Besikci, Jana Tupivic, Anna Siegel.

The essential practical handbook for all those involved in, or studying, the dynamic field of curating

This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.

Article analysing how art approaches and resists the capitalist appropriation of power and creation.