A collection of contemporary food writing by a star cast of authors, including Nigella Lawson, Anthony Bourdain, Jane Grigson, Umberto Eco, Alice Walker, and Isabel Allende.
The book explores the textual work of Art & Language, Victor Burgin and others; the New Sculpture being produced by those such as Richard Long and Michael Craig-Martin; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.
On the occasion of the eponymous exhibition, April-August 2016.
Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents–including texts by and taped discussions among and with the artists involved.
A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
This publication examines the connection between Fluxus artists such as George Maciunas, Geoffrey Hendricks, Al Hansen and Ben Patterson, and Romantics such as Caspar David Friedrich and Ludwig Tiek.
This interview explores connections within editor Bonnie Marranca’s work and considers the way in which it has developed in conversation with artists in and around New York.
A detailed study of the role women artists played in the develpment and expansion of performance art
An extended interview with artist and Iraq war veteran Aaron Hughes
Contains essays and interviews by late leading art critic Stuart Morgan with a foreward by Thomas McEvilley
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
This collection features all 51 images from performance artist Eleanor Antin's epic visual narrative. Introduction by Henry Sayre