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The Library of Performing Rights
The Library of Performing Rights is a unique resource containing over 250 items submitted by artists, activists and academics from around the world that examine the intersection between performance and Human Rights.
The catalogue is available here and is continuously updated.
Please note the Library is currently housed in the Study Room but is a touring Library so please contact LADA before your visit to check it is not out on the road.
4 Boys [For Beuys]
Four Institute boys, Neal, Gabriel, Sid and James, narrate their first ever protests with the help of their parents Lena Šimić and Gary Anderson and four activists x-Chris, Ritchie Hunter, Mel Evans and Ewa Jasiewicz.
Performances of Capitalism, Crises and Resistance: Inside/Outside Europe
This engaging study examines the issue of crisis in European performance since the collapse of global financial markets in 2008. The book’s chapters examine diverse performances of crisis primarily in three cities with a loaded past and present for Europe, as idea and geopolitical reality: London, Athens and Berlin.
Performing Motherhood: Artistic, Activist, and Everyday Enactments
Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Border as Method, or, the Multiplication of Labor
Mezzadra and Neilson explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere.
Public 53: Mega-Event Cities
Leading scholars, artists, and activists examine the role of the arts in articulating the social agendas of urban mega-events like Olympic Games and World Expos.
Peace Pilgrim: Her Life and Work in Her Own Words
Compiled by 5 friends of Peace Pilgrim in Santa Fe, New Mexico in 1982, the year after her “glorious transition to a freer life”, the book is composed mainly in her own words. The exceptions are the introduction, reproduced newspaper articles and comments by people she met while on her 28 year pilgrimage for peace.
Anna Birch archive
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Collected Works for Performance
Inckudes: A Conversation With My Father, Songs for Breaking Britain, Equations for a Moving Body.
Stuart Brisley: Performing the Political Body and Eating Shit
Published on the occasion of the exhibition Stuart Brisley: Headwinds, MAC Belfast, 30 January-26 April 2015.
