Peace Pilgrim: Her Life and Work in Her Own Words

Notes

Compiled by 5 friends of Peace Pilgrim in Santa Fe, New Mexico in 1982, the year after her “glorious transition to a freer life”, the book  is composed mainly in her own words.  The exceptions are the introduction, reproduced newspaper articles and comments by people she met while on her 28 year pilgrimage for peace.

Artist / Author Peace Pilgrim
Publisher Ocean Tree Books
ISBN 978-0943734293
Reference P2982
Date 1998
Type Publication

Keywords

Similar items

Copy of Oral Histories of the Revolution

Artist/Author: Tania El Khoury | Reference: A0940 | Type: Article

Next Wave Festival 2014 Magazine : New Grand Narrative

Pg. 32

Oral Histories of the Revolution,  Tania El Khoury

 

Taking Receipts: A Log of Aggression for People of Color

Artist/Author: Aram Han Sifuentes, Ishita Dharap | Reference: P4227 | Type: Publication

“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes

Designed and illustrated by Ishita Dharap.

Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement

Artist/Author: Idman Abdurahaman | Editor: Hannah Robathan, Erin Cobby, Isabella Pearce | Reference: A0927 | Type: Article

shado Issue 4 : Youth

Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’  by Idman Abdurahaman.

Tolu Agbelusi

Artist/Author: Tolu Agbelusi | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0926 | Type: Article

shado Issue 2 : Global Womxnhood

Feature on poet and performer Tolu Agbelusi.

Oluwaseun Babalola

Artist/Author: Oluwaseun Babalola, Greg Kirkorian | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0925 | Type: Article

shado Issue 2 : Global Womxnhood

Feature on filmmaker Oluwaseun Babalola.

Delaine Le Bas : Secession

Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Exercises For Solidarity As Performance Art

Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Resilient and Resisting

Artist/Author: Jet Moon | Editor: SonIa Elks | Reference: P4220 | Type: Publication

Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Project Nationalism and Theatre in Contemporary India

Artist/Author: Ashis Sengupta | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0912 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p21-45

"DRESS UP AND WE LOVE YOU" AN AUTOETHNOGRAPHIC EXPLORATION OF QUEER PERFORMANCE CLUB BAR WOTEVER

Artist/Author: Vikki Chalkin | Editor: João Florêncio, Owen Parry, Martin Hargreaves, Thom Shaw | Reference: A0904 | Type: Article

DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19