Journal of Writing in creative Practice Volume 2 Number 1
| Artist / Author | Alexander Kelly |
|---|---|
| Editor | Ross Prior, Michell Kossak, Hayley Singlehurst |
| Reference | A0332 |
| Date | 2009 |
| Journal | Journal of Writing in Creative Practice |
| Journal date | 1905-07-01 |
| Journal page | 69-90 |
| Type | Article |
Steirischer Herbst is an interdisciplinary festival for contemporary art. Since 1968, it has taken place annually in Graz and Styria, Austria, combining the visual arts, performance, theater, opera, music, and literature to varying degrees. This programme lists events during the 2016 edition of the festival.
A companion book to the performance by Once We Were Island.
A heady brew of feminist critique of the art world and extreme body horror.
Examines fandom as a set of practices for approaching and writing about art.
A glossary of terms that come up during the desperate search for meaning that comes with an Asperger’s Syndrome diagnosis. I went through it. I know other people go through it. There are plenty of books, either more clinical, or more autobiographical out there. This one cuts straight through shackles of narrative to provide discrete chunks of information in an easy to navigate, dictionary format.
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
Eight issues of the interview zine about performance.
Pines towards a future vision that surpasses generally accepted structural limitations of the human condition. Part of LADA Screens.
From a god-fearing Muslim boy enraptured with their mother, to a vocal, queer drag queen estranged from their family, this is a heart-breaking and hilarious memoir about the author’s fight to be true to themself.
Part of the Library of Performing Rights (P3041).
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
On Forced Entertainment, prediction, and the community of audience.
Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.
Part of the Library of Performing Rights (P3041).