Catalogue published in occasion of the homonymous exhibition. English and French.
| Artist / Author | Various |
|---|---|
| Editor | Katya García-Antón, Emily King and Christian Brändle |
| Publisher | JRP |
| ISBN | 978-3-905829-24-2 |
| Reference | P1095 |
| Date | 2007 |
| Type | Publication |
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
A selection of artwork and text by artists Elaine Rutishauser and Klodin Erb.
In German
Kindly donated for the Swiss Live Art Study Room Guide.
This publication presents a web of information: the artist’s own statements- essentially descriptions and photographs of her pieces, comments and an interview- together with contributions from different authors on various aspects of Muda Mathis’ work.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German and English.
BA Design dissertation exploring the archive; the research formed the theoretical foundation for Kong’s studio practice.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.
Explores our obsession with the lure of distant lands and their promise of the weird and wonderful, the beautiful and grotesque.
Brings together established and emerging practitioners who work with light, as material or subject.
Twenty-five leading artist duos and collectives give insight into how and why to work collaboratively.
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
Complete collection of Primary Sources on the International Performing Arts. Includes issues 1 to 8, (1979 – 1981). Includes originals of issues 1 (two copies), 2 (two copies), 3, and 4 (two copies), as well as photocopies of all eight issues.
In the glass cabinet.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.