from Random Scream, contains segment from the one to one work Reflection
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
A gathering of international transgender performers and their audiences in Liverpool in November 2011. Part of LADA screens.
Part of the Library of Performing Rights (P3041).
Documentation from the public screening of Adrian Howells' works featuring presentations from Adrian's collaborators and colleagues. The event launched LADA screens 13 and the publication It’s All Allowed: The Performances of Adrian Howells. Selected works of Adrian Howells were available online 18 July – 1 August 2016 on the LADA Screens Channel.
A documentary about a series of one-to-one performances that took place in a hotel in Austria.
Part of LADA Screens. The film was available online 4 April to 28 April 2017 on the LADA Screens Channel. Part of the Library of Performing Rights (P3041).
Article from The Edinburgh Companion to Animal Studies. names the raw, sensuous, delicate, multi-dimensional, secret intelligence shared by sentient beings at the moment of their extended encounter.
In misc. folder 7
A return to the theme of the issue around ‘the migrations of people’ and ‘writing around differing geographies and histories of travel’.
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
Contemplates the interactions of humans with many kinds of critters, especially with those called domestic.
This article gives examples of a number of initiatives by individual writers, artist collectives, and festivals that test forms of critical writing that are as experimental as the practices to which they relate.
Explores attention structures that invite one-to-one encounters in digitally informed practice.
First-person account of an intensive process of training in sleight of hand magic, undertaken by Corrieri in his teenage years. Accompanied by a short online video, as well as illustrations from a classic book on coin magic, the text explores the configuration of the magician’s studio, the relation to the mirror, and the forms of exchange with other sleight of hand magicians.