A publication chronicling the work of Theatre company Societas Raffaello Sanzio
| Artist / Author | Claudio Castellucci, Romeo Castellucci, Chara Guidi, Joe Kelleher, Nicholas Ridout |
|---|---|
| Publisher | Routledge |
| Reference | P1020 |
| Date | 2007 |
| Type | Publication |
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Takes performance studies in exciting new directions, exploring the ways in which ethics can be used to understand the complex questions facing contemporary spectators.
Part of Library of Performing Rights (P3041)
This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.
The book conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity.
Investigates the extent to which performance can represent the ‘unrepresentable’ of trauma.
A collection of critical essays and artist reflections considering some of the richest and most important developments to take place in contemporary Irish theatre and performance.
Situates both companies and approaches within the wider context of Flemish theatre and society.
Groundbreaking study of the new theatre forms that have developed since the late 1960s,. Translated by Karen Jürs-Munby.
Program of new territories 2008 National Review of Live Art 2008. For PDF version of publication REF. P1052
Program of new territories 2008. For PDF version see REF. D1030
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection of specially commissioned essays looks at current theatre practices across Europe.