Explains the concept of the trans-spectator using the Slovenian theatre group performance (Would Would Not, 2005) as an example.
This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.
In Slovenian and English.
From the Unbearable Lightness of (Artistic) Freedom 2 edition. Part of the Library of Performing Rights (LPR) (P3041).