TATE Film: Vivienne Dick programme.
| Publisher | TATE Modern |
|---|---|
| Reference | P1505 |
| Date | 2010 |
| Type | Publication |
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
Film created as part of The Casement Project, a multi-disciplinary project about Roger Casement, a British knight, Irish rebel and international humanitarian.
Part of the Library of Performing Rights (P3041).
Female artists; suggestions to Nick Serota, as Tate expands to a fourth London gallery.
Liquid damage on publication.
On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
On Live Art landscape in 2005.
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
In these essays on the cinema, the author documents the obsessions leading to “Paris, Texas” and beyond.