brochure to accompany the Priceless project
Artist / Author | Moti Roti |
---|---|
Reference | P0979 |
Date | 2005 |
Type | Publication |
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
An invitation to encounter work and thinking that is in motion. Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Interview with Laurie Anderson.
Revisits and resuscitates the forgotten heritage of a politicised theatre group – ‘Al Assifa’.
Part of Library of Performing Rights (P3041)
Follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism.
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
An argument for both spiritual and political revolution, the book proposes the content of a religion that can survive faith in a transcendent God and in life after death.
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.