Double DVD of highlights and edited highlights from the conference. This item is part of the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.
A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
Videos by artists exploring Live Art and disability. Including videos commissioned for LADA’s “Access All Areas: Live Art and Disability” programme in New York, 2014.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and recreated the opening audition scene from the 1985 film 'A Chorus Line'.
Part of LADA Screens 12. The film was available online 9 - 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.
Documentary bout queer live art on tour across the UK .