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Artist / Author | Will Bradley |
---|---|
Reference | A0066 |
Date | 2003 |
Journal | Frieze |
Journal date | 2003-05-01 |
Journal page | 60-65 |
Type | Article |
A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
Combining intrepid journalism with her own personal experience, Abraham question what it means to be queer in 2019.
Exhibition catalogue. Installation concerned with the voice of the individual victim in war.
Part of Library of Performing Rights (P3041)
A report on the five-year programme; the story of an undertaking that brought together art and heritage.
A detailed look at the extensive 14-18 NOW programme, which was set up to bring a creative response to the centenary of the First World War.
Sheds light on a range of practices in the area of contemporary performance in Australia.
The essays in this book – some newly written, others gathered from scattered sources – look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre.
It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.
Part of the Library of Performing Rights (P3041)
Surveying the history of art, technology and information systems the books reveals the dark clouds that gather over discussions of the digital sublime.
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)