Life and Times
Notes
This catalogue item has no notes associated with it.
| Artist / Author | Will Bradley |
|---|---|
| Reference | A0066 |
| Date | 2003 |
| Journal | Frieze |
| Journal date | 2003-05-01 |
| Journal page | 60-65 |
| Type | Article |
Keywords
Similar items
Bizhenka
Three short documentaries observe the creative process of Hooligan Art Community (founded in Kyiv in 2019) as the theatre company deals with relocation due to Russia’s full-scale invasion of Ukraine. Spanning the period May 2022 to October 2024, the films represent three distinct stages in the artists’ experience of displacement.
The three documentaries in this collection were made by Liubov Sliusareva (from Donetsk) who joined Hooligan Art Community in 2020 as filmmaker and art director. The films were produced by Peter Cant, co-founder and artistic director of Hooligan Art Community. Cant, an artist and theatre-maker from the UK is based in Berlin. He began working in Ukraine in 2016.
Plantain
A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
Black Performance Theory
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
Queer Intentions: A (Personal) Journey Through LGBTQ + Culture
Combining intrepid journalism with her own personal experience, Abraham question what it means to be queer in 2019.
Frances Hegarty: Voice Over
Exhibition catalogue. Installation concerned with the voice of the individual victim in war.
Part of Library of Performing Rights (P3041)
14-18 NOW: Summary of Evaluation
A report on the five-year programme; the story of an undertaking that brought together art and heritage.
14-18 NOW: Contemporary arts commissions for the First World War Centenary
A detailed look at the extensive 14-18 NOW programme, which was set up to bring a creative response to the centenary of the First World War.
Performing the UnNameable: Anthology of Australian Performance Texts
Sheds light on a range of practices in the area of contemporary performance in Australia.
Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema
The essays in this book – some newly written, others gathered from scattered sources – look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre.
Unlimited Action: The performance of extremity in the 1970s
It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.
Part of the Library of Performing Rights (P3041)
In a Queer Time and Place: Transgender Bodies, Subcultural Lives
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
New Dark Age: Technology and the End of the Future
Surveying the history of art, technology and information systems the books reveals the dark clouds that gather over discussions of the digital sublime.
