Immersive Life Practices talks to Chicago-based artists and authors about life as an art practice and art as a life practice. The contributors explore a range of concerns, from how to be holistic, ethical, or practical; to how to balance life and work; to formal questions of how to represent a never-ending project.
| Editor | Daniel Tucker |
|---|---|
| Publisher | School of the Art Institute of Chicago |
| ISBN | 978-0982879849 |
| Reference | P2710 |
| Date | 2014 |
| Type | Publication |
Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.
Part of Library of Performing Rights (P3041).
Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
Explores the possibilities for organization and resistance under the contemporary status quo, and anticipates the emergence of a new and disobedient self-government of the precarious.
A practical handbook on the lost art of getting lost, reading the signs around you, following their lead, and creating your own.
Each essay shares two fundamental premises. First, that the oppression of gays and lesbians is not an isolated case, and therefore their struggle is necessarily part of a larger movement for social liberation. And, second, that the experience of gays and lesbians uphold the basic tenets of a foundational Marxism, and that they are uniquely placed to contribute to a revitalisation of Marxist theory.
Dissects the network of household, kinship and sexual relations that constitute the family form in advanced capitalist societies to show how they reinforce conditions of inequality.
Explores the ways in which contemporary artists across media continue to reinvent art that straddles both public and private spheres.
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
A film about the future by Eva Meyer-Keller, Hanna Sybille Müller and the children who took part in the performance project Building after Catastrophes.
Documentation from the DIY13 project: a collective process of devising and then performing a public action, over the course of a weekend.
Part of the Library of Performing Rights (LPR) (P3041).
Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.