On Australian dance.
| Artist / Author | Sarah Rubidge |
|---|---|
| Publisher | Laban |
| Reference | A0811 |
| Date | 1994 |
| Journal | Dance Theatre Journal |
| Journal date | Spring / Summer 1994 |
| Journal page | 16-52 |
| Type | Article |
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.
A critical examination of the varieties of multiculturalism and the way they structure difference.
First edition of the anthology consisting of texts written by artists active within the field of dance and choreography in the Nordic countries.
In Nordic languages and English.
An important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.
Part of Library of Performing Rights (P3041).
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
Explores our obsession with the lure of distant lands and their promise of the weird and wonderful, the beautiful and grotesque.
Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.
A collection of music and words created in MiD workshops.
Part of the Library of Performing Rights (P3041)
Explores Englishness, pseudo public space and what it is to be considered an unwelcome migratory visitor in contemporary Britain through the eyes of a particularly pesky Muscovy duck.
Part of the Library of Performing Rights (P3041).
Anthology of interdisciplinary essays which critically examines the interlocking themes of artistic authorship, authenticity, and legacy from legal, art market, and art historical perspective.