Film developed from the organisation and documentation of a Memorial for Hinchliffe held at Beaconsfield in London in 2012, and from the ongoing process of collecting and finding a safe space to house the Hinchliffe archive.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
This portfolio of photographs presents the work of Berlin-based Hannah Hurtzig and her Mobile Academy.
Lola Arias, co-curator of the international urban intervention project Ciudades Paralelas, talks with Bertie Friedman about reappraising notions of public space and spectatorship.
Booklet of site specific live performance that explores the concepts of access to the sea and public space in the city through Beirut’s seafront.
Edited conversations addressing ‘unsitely aesthetics’ which refers to a particular aesthetics that has emerged with a mobile and nomadic shift in artistic practices and technologies.
Excerpt from Blip, a project commissioned for Liverpool Live, a programme of live art organised by bluecoat art centre for the Liverpool Biennial 2004 in collaboration with the Live Art Development Agency. Through in depth research a series of historical and cultural figures where identified for each location and these figures would appear unannounced from the city’s public telephone boxes.
Extract from “Soya Sauce and Ketchup Fight” street performance intervention in Trafalgar Square by Cai Yuan and Jian Jun Xi artistic duo known as “Mad for Real”.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Civic Zones is an act of collective mapping manifested in multiple forms: a cartographic archive of sites of potentiality, future actions and disjointed civic spaces. Drawing on a dialogue and experience of the current struggles in Greece, Gigi Argyropoulou and Hypatia Vourloumis explore how civic spaces are constituted and examine notions of disobedience, occupancy and public space through a series of collective contexts.
Document of the work presented at Panorama Festival, CorpoCópia, Warehouse Utopia, Rio (GB) – 2011.
Documentation of various performance works dating from 2001 – 2009