From 31st March-28th April 2007 the top floor of Clarke Tower opened its doors to the public in the form of a unique short stay hotel.
| Artist / Author | Seamus Nolan |
|---|---|
| Editor | Aisling Prior |
| Publisher | Breaking Ground |
| Reference | P1849 |
| Date | 2008 |
| Type | Publication |
Artists photographic book documenting the work of Joa Iselin and Christoph Razenhofer.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German
Edition of 800
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Documentation from the performance art conference, 9-16 July 2017. In German and English,
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Documents a series of site-specific performances which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
BA Design dissertation exploring the archive; the research formed the theoretical foundation for Kong’s studio practice.