Catalogue > By Keyword > politics
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ART IN CONTEXT: Learning from the Field
21 passionate statements from practitioners in the field of participatory art from Myanmar, Japan, Germany, Malaysia, Thailand, Indonesia, the Philippines, Singapore, Hong Kong and China. Their contributions help to define a complex practice, that takes many forms and is called by many names, but is united by a spirit of giving, receiving and reciprocating in art-making.
Forms of Action
Publication on the group exhibition exploring current international developments in socially engaged art practices. CAA, 28 January – 12 March 2017.
PRAXIS Vol 1: Of People, Place & Time
Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
Does it Work?: The Æffect of Activist Art
Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art.
Create News: Selina Thompson - Gender, Performance, Identity
Interview conducted by Lynnette Morgan, as part of the Collaborative Arts Partnership Programme residency.
Joined Forces: Audience Participation in Theatre
Four interviews and ten essays, case studies, manifestos and anti-manifestos by theatre makers, curators, critics, and scholars, presenting various examples of audience participation in theatre and linking them to problems of participation in democracy and to socially engaged art.
Turn, Turtle! Reenacting The Institute
Sx essays, three interviews, and six case studies of performance makers, institution directors, and thinkers, proposing diverse strategies of implication and engagement, opening up possible futures and alternative exchanges between parties that are often too often still seen as adversaries.
What’s the Use?: Constellations of Art, History and Knowledge - A Critical Reader
*currently unavailable*
Takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
Queer Dramaturgies
Starting from the premise that live performance is experienced in a material, local context, the chapters analyse the intricate and complex workings of queer dramaturgy within specific venues, cities, nations or transnationally.
Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain
Explores the processes through which specific populations are figured as ‘revolting’ as well as the practices through which these populations ‘revolt’ against their subjectification.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
