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Live Collision Study Boxes Study Room Guide
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
She Got Love
Ana Mendieta. She Got Love gathers over 130 works by this Cuban-American artist, created between 1972 and 1985 and chosen from among the most significant in the prolific production of her brief life.
Adrian Piper: Race, Gender and Embodiment
Adrian Piper's Mythic Being performances critically engaged wtih popular representations of race, gender, sexuality and class; confronting viewers and forcing them to reconsider assumptions about the social construction of identity. An in-depth analysis of Piper's work.
Enacting Others: Politics of Identity
Adrian Piper, Eleanor Antin, Anna Deavere Smith and Nikki S Lee have all crossed racial, ethnic, gender and class boundaries in works they have concieved and performed. Cherise Smith analyses their engagements with issues of identity through close readings of perfromances by each artist.
D.I.Y (Do. It. Yourself.)
Aims to articulate and contextualise an ethos and practice within contemporary art called “DIY” theatre and performance.
William Pope.L – Live Culture: Performance and the Contemporary
Recording of William Pope.L’s intervention at Live Culture, a programme of Live Art performances, debates and presentations curated by Lois Keidan and Daniel Brine of the Live Art Development Agency and Adrian Heathfield.
A Certain Level Of Denial
A collection of spoken word performances from the artist’s show of the same title.
The Swan Boat
Excerpt from the final chapter of Goulish’s book on the late Chicago-based performance and multi-media artist Lawrence Steger
re.act.feminism #2 - a performing archive
This publication is based upon the touring exhibition project re.act.feminism #2 – a performing archive, an expanding, temporary and living performance archive that travelled through six European countries from 2011 to 2013. With essays by curators and scholars Kathrin Becker, Mathias Danbolt, Eleonora Fabião, Bettina Knaup, Laima Kreivytė, Laurence Rassel, Angelika Richter, Oxana Sarkisyan, Rebecca Schneider, Mare Tralla, Linda Valdés, Reet Varblane.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Dance Bitch
Short promo video
