How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?
| Artist / Author | Ric Knowles |
|---|---|
| Publisher | Palgrave Macmillan |
| ISBN | 978-0230575486 |
| Reference | P3015 |
| Date | 2010 |
| Type | Publication |
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
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On making a case for arts subsidy in the face of austerity.
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
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In german and English.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
The second volume of the landmark trilogy consent not to be a single being.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Examines fandom as a set of practices for approaching and writing about art.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.