A report on two new initiatives aimed at supporting Live Artists in the UK and raising the profile of their work.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
Article printed from online. In black folder in Misc. box. Described by Julie Tolentino: This is the one of a few different articles that contemplates my important lifetime performance work around archive and my reverence and research around the unrelenting impact and importance of the artist-to-artist relationship.
three copies. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Sacred archive. Documentation on DVDs ref D1396-D1421.
New Moves International, 2010, Black boxed set comprising: 1979-2010 a personal history, Archive 1979-2010, 40 pages and 3-disc DVD
Fresh Tips 1 – 8
Nearly thirty years after the first edition, this text–by now a classic–is republished with all the original photographic material.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)