This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Feminist science fiction that anticipates a post-patriarchal future.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Eight issues of the interview zine about performance.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.