One to One Performance offers a series of reflections on a number of performances created by artists for an ‘audience of one’. The guide includes a dialogue with Franko B, commentaries from sixteen artists in response to a series of questions, as well as a list of related materials in the Study Room. The Guide is available to view in our Study Room, or can be downloaded as a pdf.
|Artist / Author||Rachel Zerihan|
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Examines fandom as a set of practices for approaching and writing about art.
Documentation of the event considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely.
Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.