Second edition of the artwork exploring the potential of Live Art to bridge generations.

A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.

Exhibition catalogue. Wellcome Collection, 30 May 2019 – 26 January 2020.

Part of Library of Performing Rights (P3041).

How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?

Part of Library of Performing Rights (P3041).

In order to become ethically acceptable, surrogacy must change beyond recognition—but we need more surrogacy, not less!

Engages the virtually invisible subject of older women in western culture.

Part of Library of Performing Rights (P3041)

A return to the theme of the issue around ‘the migrations of people’ and ‘writing around differing geographies and histories of travel’.

Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.

Part of the Library of Performing Rights (P3041)

Peformance video: The Yard Theatre, London, January 2018 (1hr)

For a digital copy see EF5286.

In 1990, Myles chose Rosie from a litter on the street, and their connection instantly made an indelible impact on the writer's way of being. Over the course of sixteen years together, Myles was devoted to the pit bull and their linked quality of life.