Beatrice Pepper Velloso, visual artist and professor at the School of Fine Arts, Federal University of Rio de Janeiro. Language: Portuguese
|Artist / Author||Beatrice Pimenta Velloso|
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Feminist science fiction that anticipates a post-patriarchal future.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).