Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.
Catalugue accompanying the performance work presented by FADO Performance Art Centre in the context of the 8th 7a*11d International Festival of Performance Art.
Handbook of recollections and practical exercises exploring the art of walking and its modern uses. This item is referenced in the Making Routes Study Room Guide (P1964).
Video, English spoken with German subtitles, recorded 2003 in New York City, published 2008, duration 52 minutes.Accompanying booklet REF. P1232. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.
Booklet in German and English Accompanying dvd REF. D1144. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.