The work of Sonia Boyce encourages and challenges us to ask what it means to be a black woman artist in a hierarchical art world, and to confront questions surrounding inter-racial relations in a society where cultural identities condense around myths of nationhood.
Adrian Piper, Eleanor Antin, Anna Deavere Smith and Nikki S Lee have all crossed racial, ethnic, gender and class boundaries in works they have concieved and performed. Cherise Smith analyses their engagements with issues of identity through close readings of perfromances by each artist.
Spanning over 15 years, Occupations is the most comprehensive survey of Jordan McKenzie's work to date. Beginning in the 1990s, through an engagement with body based and queer performance practices, his work has gone on to explore drawing as a live activity as well as questions of class and identity.
This book presents the proceedings of the International Conference on ‘Cultural Diversity in the Arts’ held in Amsterdam on February 9 and 10, 1993.
This collection of essays by British and American contributors examines the way in which institutions – the media, the law, the medical profession and government – deal with AIDS.
Book exploring the complexities of racial politics and the relationship between racism and nationalism in contemporary Britain.
Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics. Invited artists, organisers, and groups include: Ai Weiwei; Ala Plástica; Jennifer Allora and Guillermo Calzadilla; Lara Almarcegui and Begoña Movellán; Alternate ROOTS; Francis Alÿs; Appalshop; Claire Barclay; Barefoot Artists; Basurama; Marilyn Douala Bell and Didier Schaub; BijaRi; Stephen Biko and partners; Bread and Puppet Theatre; CAMP; Cemeti Art House; Mel Chin; Chto delat? (What is to be done?); Colectivo Cambalache; Phil Collins; Complaints Choir; Céline Condorelli and Gavin Wade; Cornerstone Theater Company; Minerva Cuevas; Cybermohalla Ensemble; Decolonizing Architecture; Jeremy Deller; Mark Dion, J. Morgan Puett, and collaborators; Fallen Fruit; Finishing School; Free Class Frankfurt/M.; Frente 3 de Fevereiro; Theaster Gates; Paul Glover; Josh Greene; Federico Guzmán and Alonso Gil; Fritz Haeg; Haha; Harlem (Election Night 2008); Jeanne van Heeswijk; Helena Producciones; Stephen Hobbs and Marcus Neustetter; Fran Ilich; Farid Jahangir and Sassan Nassiri, Bita Fayyazi, Ata Hasheminejad, and Khosrow Hassanzedeh; Kein Mensch Ist Illegal (No One Is Illegal); Amal Kenawy; Suzanne Lacy; Steve Lambert, Andy Bichlbaum of The Yes Men, and collaborators; The Land Foundation; Long March Project; Los Angeles Poverty Department; Rick Lowe; Mammalian Diving; Reflex/Darren O’Donnell; Mardi Gras Indian Community; Eduardo Vázquez Martín; Angela Melitopoulos; Zayd Minty; The Mobile Academy; Mongrel; Anthea Moys and Bronwyn Lace; Mujeres Creando; Vik Muniz; NSK (Neue Slowenische Kunst); Nuts Society; John O’Neal; Oda Projesi; Wendelien van Oldenborgh; Marion von Osten and collaborators; Park Fiction, part of the Right to the City Network Hamburg; Pase Usted; Piratbyrån (The Bureau of Piracy); Platforma 9.81; Public Movement; Pulska Grupa; Navin Rawanchaikul; Pedro Reyes; Laurie Jo Reynolds; Athi-Patra Ruga; The San Francisco Cacophony Society; Katerina edá; Chemi Rosado Seijo; Michihiro Shimabuku; Andreas Siekmann and Alice Creischer; Buster Simpson; Slanguage; Apolonija Sustersic; Tahrir Square (2011); Taller Popular de Serigrafía (TPS); Mierle Laderman Ukeles; Ultra-red; United Indian Health Services; Urban Bush Women; The U.S. Social Forum; Voina; Peter Watkins; WikiLeaks; Elin Wikström; WochenKlausur; Women on Waves.
An anthology that explores the rise of activist public art that agitates for social change.
Final Report of the Panel on Fair Access to the Professions. This article can be found in the Miscellaneous Articles 3 Binder.
Audio recordings of Jeremy Deller discussing the following subjects: Our Hobby is Depeche Mode, Andy Warhol, The Battle of Orgreave, the Art World is a very Middle Class Place, Processions, Churches and Museums, Night at the Museum, Political Art, New Projects, Acid Brass, Glam Rock, Memory Bucket and Social Surrealism
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women's contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
Collection of texts concerning a diversity of issues relating to feminism and visual cultures, arranged thematically and introduced by the editor. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism.
Includes contributions by editors as well as Dinah Birch, Alicia Ostriker, Wendy Webster, Michelle Cliff, Alice Walker. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)