The music and club scenes of England in 1977 are recaptured in this tale of two young DJs at a pirate radio station.
| Artist / Author | Isaac Julien |
|---|---|
| Reference | D2172 |
| Date | 1991 |
| Type | DVD |
A document showing ways to prevent sexual violence and support survivors of sexual abuse.
Through personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection.
A collection of secret stories exploring sexuality, vulnerability and desire, taken from interviews with butches, masculine women and gender rebels living worldwide.
Part of the Library of Performing Rights (P3041)
Issue 4 featuring: Emma-cecilia Ajanki, Channing Tatum, Figs In Wigs, Igor & Moreno, Rowland Hill, Rukeya, Samir Kennedy, Theo Clinkard, Leah Marojevic, Trajal Harell, Ultimate Dancer, Robbie Thomson, Augusto Corrieri, Rowland Hill, Marica Innocente, Maartje Nevejan
From Acker's earliest interviews–filled with playful, evasive, and counter-intuitive responses–to the last interview before her death where she reflects on the state of American literature, these interviews capture the writer at her funny and surprising best.
It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.
Part of the Library of Performing Rights (P3041)
A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocío Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books.
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
Devised as part of The End Product for Collective in Edinburgh to conclude and commodify the series of LIVE Broadcasts Harrison made over the course of a year. It features Transmission: Glasgow to London (December 2010), UK Weather Report (April 2011), Personal Political Broadcast (May 2011) and Best of the Rest (November 2011).
They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why. Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.