The music and club scenes of England in 1977 are recaptured in this tale of two young DJs at a pirate radio station.
This volume offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions.
Exhibition catalogue presenting an assessment of Rodney's work employing a wide range of art forms in which self-portraiture and the body are often conduits for wider social and political narratives.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)