Pamphlet. Features various texts including text on the ‘necrocards’ project.
| Artist / Author | Stewart Home |
|---|---|
| Publisher | Sabotage Editions |
| ISBN | 951441787 |
| Reference | P0748 |
| Date | 1999 |
| Type | Publication |
Steirischer Herbst is an interdisciplinary festival for contemporary art. Since 1968, it has taken place annually in Graz and Styria, Austria, combining the visual arts, performance, theater, opera, music, and literature to varying degrees. This programme lists events during the 2016 edition of the festival.
Feminist science fiction that anticipates a post-patriarchal future.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.
Part of the Library of Performing Rights (P3041).
Pines towards a future vision that surpasses generally accepted structural limitations of the human condition. Part of LADA Screens.
Explores the early history of animal rights through the images and the people who harnessed their power.
A tribute to Katherine Araniello, read during the event at LADA, 16th April 2019.
Part of the Library of Performing Rights (P3041)
In misc folder 7.
Exhibition catalogue. Attenborough Arts Centre, 10th May – 14th July 2019.
Part of the Library of Performing Rights (P3041)
Discover how animals influenced 20 of the world's most beloved authors, from Charles Dickens to J.K. Rowling.
Explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories.
The first in Levy’s essential three-part ‘Living Autobiography’ on writing and womanhood.
How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?
Part of Library of Performing Rights (P3041).