Orduithe: Live@8
Notes
Programme for Orduithe: Live@8 Galway, Ireland 2010. Curated by Andrew Mitchelson.
| Artist / Author | various |
|---|---|
| Reference | P1507 |
| Date | 2010 |
| Type | Publication |
Keywords
Similar items
PERFORMANCE CRITS: Owen Parry
Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.
Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.
Video documentation of Owen Parry performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.
LINEAGES OF TRASH
Owen Parry interviews “legend, icon, wild-hearted demoness bad-girl bitch” – Penny Arcade.
DANCE THEATRE JOURNAL Vol 24 no.3 2011
pg43-47
Fandom as Methodology: A Sourcebook for Artists and Wrtiers
Examines fandom as a set of practices for approaching and writing about art.
Artists On: LADA
Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
You Are Here
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
I’m Roger Casement
Film created as part of The Casement Project, a multi-disciplinary project about Roger Casement, a British knight, Irish rebel and international humanitarian.
Part of the Library of Performing Rights (P3041).
Future Histories
Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).
Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (20170)
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
Filed Notes: The Inaugural Summer School on Cultural Diversity and Collaborative Practice
Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).
Of Other Spaces - Where Does Gesture Become Event?
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
Selected Performances
Features 32 selected videos in various different formats made from 1999 – 2017.
Part of Library of Performing Rights (P3041).
Play A Journal of Plays, Issue 4
Fourt issue of the journal devoted to reinventing the life of plays on the page.
