Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Marc Hulson performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Jaime Prada performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Vicky Tang performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Sandra Zanetti performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Pat Naldi performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Owen Parry performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Mina Orak performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Mia Taylor performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Josh Whitaker performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of John Seth performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Bhawana Jain performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.

Performance Crits was part of Performing the Art School, a series of research activities with Central Saint Martins C-School staff, postgraduate researchers and alumni in collaboration with Live Art Development Agency 2025-26. It included the sharing of practice and research, engaging with LADA’s archive and research collection, and explored the contexts and infrastructures for supporting the work we do to meet new publics and audiences.

Performance Crits takes its departure from the art school critique where artists present their work in the studio, and receive feedback.

Video documentation of Alex Schady performing at LADA on Friday 5 June 2026, as part of PERFORMANCE CRITS:An Evening of Art School Performance.