Me, You and Everywhere We Go: plan b

“When Brazilian Minister of Culture Gilberto Gil invited Célio Turino to develop a programme to democratise access to culture, no one could have imagined the extraordinary initiatives that today cross Brazil from one extreme to the other: from semi-arid sertão to the sea, from Amazônia to the fertile lowlands of the South. The Ponto de Cultura programme has provided instruments for the multiple voices of a diverse nation to find expression in music, literature, petry… Turino’s book is a map of living Brazilian Popular Culture, disseminated to every corner of a nation that is finally seeking to be a country for everyone.” -Emir Sader

Documents the work of fourteen performance artists who marked the personal and political resonances of the new Millennium in a series of site-specific actions. Contrasting with the epic, populist and homogenising nature of the official celebrations, these works focused on forgotten and ephemeral experiences, enacting small but significant interventions in the public sphere.

An introduction by Alisa Oleva to her film Walking Home, which was screened as part of LADA Screens in February 2021.

Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.

On Filipina labour and amateur performance in Hong Kong.

Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.

This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.

An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.

Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.

A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.

Documents a series of site-specific performances which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.

Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.

Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.