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A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Excerpts from a zine. From the journal devoted to publishing the work of postgraduates, postdoctoral researchers, and entry-level academics in the fields of theatre and the performing arts.
Maps the vast stretch of urban settlement outside London bounded by the M25.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
This book is for any visitor resident of the Elan Valley to enjoy a creative way of exploring the area and thinking about history, nature, and people.
A lone hunter wanders through a tunnel of darkness; it is unclear whether the landscape is a fiery cosmology of his own invention or if he exists in a post-apocalyptic realm.
2016, 8.5 minutes
ideo inspired by a Victorian female couple who were collaborative authors and lovers. Contemporaries of Robert Browning and Oscar Wilde, the two were known and published under the same name Michael Field.
2017, 9.46 minutes,