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| Artist / Author | Theatre de Complicite |
|---|---|
| Reference | A0210 |
| Date | 1995 |
| Journal | Theatre Forum |
| Journal date | Winter/ Spring1995 |
| Journal page | 88-96 |
| Type | Article |
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Interview with Laurie Anderson.
Includes: Theatre / Archaeology, The script’s not the thing, Welsh Heterotopias, and an interview with Geraldine Cousin
Pulls together rich elements of music, physical space, visual arts, text and movement; contemplates violence, without relying on sensational anecdote.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
On the 10th International Mime Festival.
Exhibition catalogue. 19 September 1999 – 3 January 2000, Wexner Centre for the Arts, The Ohio State University.
Experimental video essay.
Part of the Library of Performing Rights (LPR) (P3041).
Ten transformative local arts projects come alive in this comics-illustrated training manual for youth leaders and teachers.
Part of the Library of Performing Rights (LPR) (P3041).
The first volume to provide a comprehensive overview of Jerzy Grotowski’s long and multi-faceted career.
Part of the Library of Performing Rights (LPR) (P3041).
Annual DVD publication presenting contemporary video works from Australian artists. Includes a publication of essays.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).