Book produced in occasion of LiWei’s exhibition at Marella Beijing Sep-Nov 2005. This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
| Artist / Author | Li Wei |
|---|---|
| Publisher | Grafiche Damiani s.r.l/Marella Gallery |
| Reference | P0191 |
| Date | 2005 |
| Type | Publication |
Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021
Examines fandom as a set of practices for approaching and writing about art.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
Follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism.
Publication charting the artistic practice of Jian Jun Xi.
Part of the Library of Performing Rights (P3041).
Brings together a variety of essays, photographs and archival materials and on the history of early performance art in East Asia. The publication will include texts by An invaluable new research tool, the publication is available free at events and online.
Part of the Library of Performing Rights (P3041).
Anthology of interdisciplinary essays which critically examines the interlocking themes of artistic authorship, authenticity, and legacy from legal, art market, and art historical perspective.
An attempt to recollect the events of racist aggression against the Chinese and Japanese immigrants on 7 September, 1907, that were long obliterated from the collective memory by the sanctioned ignorance of history.
The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of the relationship between location and place and genre innovations in Hong Kong cinema.
Programme of the performance which takes the first book of the Old Testament as its inspiration.
Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.