Part of Access All Areas Screening Programme.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
A toolkit with a mission to look to the future: to support long-term change across the arts sector by sharing knowledge, providing expert support, and encouraging take-up of an intersectional approach to equality, diversity and inclusion.
Part of The Library of Performing Rights (P3041).
All appointment negatives and notes from the first year of the Vorticist project (Oct 2007 – Dec 2008) printed in a cloth bound and embossed book.
Signed and numbered edition of 100 (77/100).
Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).
An important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.
Part of Library of Performing Rights (P3041).
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
This front line queer theatre tells first hand stories of how it is to be LGBT/Queer in Serbia and reveals the underlying issues of war, closed borders, neofascism and a country in the process of change.
In English and Serbian.
Part of Library of Performing Rights (P3041).
Includes original footage of The American Moon (1960) and Flower (1963), a recent performance of Prune Flat (1965), and Ghost, Whitman’s recent theater work, as well as short documentaries about the works.
Pulls together rich elements of music, physical space, visual arts, text and movement; contemplates violence, without relying on sensational anecdote.
Passion takes up the theme of sacrifice that plays through all the work of the company, leading its audience into a re-enactment of the Stations of the Cross.
In the glass cabinet.
Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.