Special ‘micro edition’ shelved in Oversize publications area.
| Artist / Author | Emma Geliot |
|---|---|
| Reference | A0572 |
| Date | 2012 |
| Journal | blown |
| Journal date | Autumn 2012 |
| Journal page | 12-13 |
| Type | Article |
Report about the Arts and Humanities Resarch Council funded prject.
A publication exploring how the arts sector can better support artists at key stages in their practice.
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
NODM Forum article – on New Year's resolutions.
Khan describes her unusual mixed family background and the pioneering role she played from the sixties onwards in the recognition of ethnic and minority arts.
Provides a pedagogical framework that assists students and others in deconstructing dominant narratives around work, employability and careers, and explores alternative ways of engaging with work and the economy.
Provides a pedagogical framework that assists students and others in deconstructing dominant narratives around work, employability and careers, and explores alternative ways of engaging with work and the economy.
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
Nine videos from the Porthcawl Elvis Festival; documented during DIY 10 project led by Nigel Barrett and Louise Mari.
In which the group reconsider our own practice by exploring the working methods and practices of Tribute Artists.
What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre.
The first major book on the more than 20-year history of Beaconsfield, an important artists association in London founded by two trained painters David Crawforth and Naomi Siderfin.