This item is referenced in the Dreams for an Institution Guide (P2313).
Published in conjunction with MoMA’s retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper’s practice in ways that have been previously under- or unaddressed.
A monograph of the work of artist Doris Stauffer with texts by Doris Stauffer, Michael Hiltbrunner, Kay Turner, Andrea Thal, and Mara Züst.
Kindly donated for the Swiss Live Art Study Room Guide.
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
The second volume of the landmark trilogy consent not to be a single being.
Maps the vast stretch of urban settlement outside London bounded by the M25.
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
Combining intrepid journalism with her own personal experience, Abraham question what it means to be queer in 2019.
A booklet which accompanies the solo exhibition of the artist, who during this section sat the last section of Visual Arts exam for the Hong Kong Certificate of Education Examination (HKCEE) due to the upcoming reform in exam mechanism within the education system in Hong Kong. She obtained a grade D.
In Chinese and English.
Exhibition catalogue. Installation concerned with the voice of the individual victim in war.
Part of Library of Performing Rights (P3041)
Project publication, documenting the series of temporary audio (and video) installations made for the site of Orford Ness on the Suffolk coast.