action addiction anarchic audio Barnaby Stone climactic danger David Coulter Emma Bernard entranced Heather Ackroyd joy Liz Kettle minimalist music risk ritual of play sound speech theatre

access body art cabaret direct action disability experimental live art politics social intervention theatre TV

activism Ai Weiwei Ala Plástica Amal Kenawy archive art Ata Hasheminejad Athi-Patra Ruga Basurama Bita Fayyazi Bread and Puppet Theatre Brian Holmes Buster Simpson camp Carol Becker Chemi Rosado Seijo Chto Delat? Claire Bishop class Colectivo Cambalache Complaints Choir Cornerstone Theater Company Cybermohalla Ensemble Decolonizing Architecture direct action Essex Street Market feminism feminist Fran Ilich Francis Alys Fritz Haeg gender Helena Producciones intervention Jeanne van Heeswijk Jeremy Deller Josh Greene Katerina edá Laurie Jo Reynolds Long March Project Mammalian Diving Maria Lind Mel Chin methodologies methodology Michihiro Shimabuku Mierle Laderman Ukeles Minerva Cuevas Navin Rawanchaikul No One Is Illegal participation Pase Usted Paul Glover Pedro Reyes performance art Peter Watkins Phil Collins Piratbyrån politics protest Public Movement public space Pulska Grupa Rick Lowe Shannon Jackson Slanguage socially engaged Steve Lambert Suzanne Lacy Teddy Cruz The Land Foundation The U.S. Social Forum The Yes Men Theaster Gates theatre Ultra-red Urban Bush Women urban planning visual art Voina Wikileaks Women on Waves

architecture collages Dada Dadaist designer drawings essays Germany manifesto Merz modernism painter performance performer poet poetry polyartist printer sculpture sound poetry spoken word subversion surrealism surrealist theatre visual art

Anne Teresa De Keersmaeker China choreographer criticism cynicism dance ecology economy environment impotence Italy labour Matthew Herbert Michelangelo Pistoletto money movement nihilism Pascal Gielen Paul de Bruyne performance Pippo Delbono political power Sang Jijia socially engaged theatre theory Thierry De Cordier utopia Willy Tsao

16 Beaver Group academics Alex Coles Andrea Phillips Annette Krauss Annie Fletcher Anton Vidokle artists Charles Esche Cornford & Cross critical theory cultural policy curating curators Daniel Buren Dave Beech David Blamey Edgar Schmitz Emily Pethick Eva Egermann Hassan Khan history interviews Irit Rogoff Jan Verwoert Janna Graham Liam Gillick Marina Vishmidt Marion von Osten Peio Aguirre performative text Raqs Media Collective Sally Tallant Sarah Pierce Simon Sheikh Stewart Martin theatre Tirdad Zolghadr Tom Holert Ute Meta Bauer William Kaizen Wouter Davidts

binary criticism durational feminism feminist fetishized gaze Georg Hegel history identification identity identity politics individual interpreter intersectionality live art multiculturalism Other performance politics post identity queer self subjectivity theatre theory visual culture

aesthetics Alain Badiou Anne-Sophie Dinant Beatrice Gibson body Bridget Crone Carolee Schneemann contemporary art criticism documentation Dominic Andrew Paterson Elie During Ian White Isla Leaver-Yap Lisa Panting liveness Lucy Reynolds MACBA materiality movement moving image participation Pil and Galia Kollectiv place presence space staging text theatre theory Vanessa Desclaux

Aaron Betsky Andrea Kroksnes architecture camp collaborative Denmark durational Ina Blom installation Jens Hoffmann Lars Bang Larsen live art Norway Performa 11 performance performative political RoseLee Goldberg sculpture Shannon Jackson social subversive theatre theatrical

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