Catalogue > By Keyword > finance

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Money Talks 2014 - Scottee

Artist/Author: Scottee | Digital Reference: EF5139 | Type: Digital File

Artist Scottee shares his experiences of crowd-funding for his project 'Liam Gallagher is My Grandad’. This talk was part of Money Talks, an artists' discussion event held at Toynbee Studios on 18th September 2014. The event was support by Artsadmin, Live Art Development Agency and Home Live Art as part of their Arts Council England funded Catalyst programme.

Money Talks 2014 - Sam Davis

Artist/Author: Sam Davis | Digital Reference: EF5138 | Type: Digital File

Sam Davis, Development Manger from Cause4, discusses sponsorship and how his organisation works with businesses. This talk was part of Money Talks, an artists' discussion event held at Toynbee Studios on 18th September 2014. The event was support by Artsadmin, Live Art Development Agency and Home Live Art as part of their Arts Council England funded Catalyst programme.

Money Talks 2014 - CJ Mitchell

Artist/Author: CJ Mitchell | Digital Reference: EF5137 | Type: Digital File

CJ Mitchell, Co-Director of the Live Art Development Agency, discusses the organisations two most recent crowdfunding campaigns for new publications from artists Ron Athey and Lois Weaver. This talk was part of Money Talks, an artists' discussion event held at Toynbee Studios on 18th September 2014. The event was support by Artsadmin, Live Art Development Agency and Home Live Art as part of their Arts Council.

Money Talks 2013 - Crowdfunding

Artist/Author: Deborah Curtis | Digital Reference: EF5136 | Type: Digital File

A talk on corporate social responsibility, crowdfunding and ethical fundraising delivered as part of Money Talks, an artists' discussion event held at Toynbee Studios on 29th October 2013. The event was support by Artsadmin, Live Art Development Agency and Home Live Art as part of their Arts Council England funded Catalyst programme. test

Money Talk 2013 - Ethical Fundraising

Artist/Author: Bridget Mckenzie | Digital Reference: EF5135 | Type: Digital File

A talk on corporate social responsibility, crowdfunding and ethical fundraising delivered as part of Money Talks, an artists' discussion event held at Toynbee Studios on 29th October 2013. The event was support by Artsadmin, Live Art Development Agency and Home Live Art as part of their Arts Council England funded Catalyst programme.

Artists’ Fees & Payments: Establishing a Charge Rate for Working Artists

Artist/Author: a-n The Artists Information Company, Richard Murphy | Reference: P1680 | ISBN: 0-907730-54-x | Type: Publication

a-n The Artists Information Company, Establishing a Charge Rate for Working Artists, artists' resources, finance, arts funding, financial advice for artists.

Sacred Symposium: A Make Believe World, Schizoproductive Performance Fiction,

Artist/Author: a.a.s (aasgroup.net) Johanna Linsley | Reference: D1540 | Type: DVD

Programme notes:The current financial crisis has revealed how the system upon which we supposedly all depend is itself dependent upon how much we believe in it. Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist.A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in? The symposium will feature: * a discussion with Richard Foreman (Ontological-Hysteric Theater); * keynote presentations from performance scholars Sara Jane Bailes, Jen Mitas, and Nicholas Ridout; * performative provocations from artists Karen Christopher and Sara Juli, also presenting work in the SACRED season; * break-out panels from a range of researchers and artists; * a Long Table discussion hosted by Lois Weaver; * the attendance of Richard Maxwell (New York City Players) and PS122 Director Vallejo Gantner; * the UK premiere of New York City Players’ ADS.

Sacred Symposium: A Make Believe World

Artist/Author: Sarah Jane Bailes, Sara Juli, Richard Foreman | Reference: D1523 | Type: DVD

Symposium programme notes:This symposium will consider questions of performance, belief, and credit.One way in which some kinds of performance distinguishes itself from other kinds – that sometimes go under the name of ‘theatre’ – is by emphasising that what it is doing is ‘real’, as opposed to the acting and pretending that goes on elsewhere. ‘Performing the Real’ was the subject of the 2009 symposium held as part of SACRED. This time we are turning away from the ‘real’ to think about the many ways in which performance is still interested in make-believe, and how make-believe itself might turn out to be part of the ‘real’.The current financial crisis has revealed how the system upon which we supposedly all depend is itself dependent upon how much we believe in it. Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist.A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in? The symposium will feature: * a discussion with Richard Foreman (Ontological-Hysteric Theater); * keynote presentations from performance scholars Sara Jane Bailes, Jen Mitas, and Nicholas Ridout; * performative provocations from artists Karen Christopher and Sara Juli, also presenting work in the SACRED season; * break-out panels from a range of researchers and artists; * a Long Table discussion hosted by Lois Weaver; * the attendance of Richard Maxwell (New York City Players) and PS122 Director Vallejo Gantner; * the UK premiere of New York City Players’ ADS.

Sacred Symposium: A Make Believe World

Artist/Author: Nicholas Ridout, Karen Christopher, Jen Mitas | Reference: D1525 | Type: DVD

Symposium programme notes:This symposium will consider questions of performance, belief, and credit.One way in which some kinds of performance distinguishes itself from other kinds – that sometimes go under the name of ‘theatre’ – is by emphasising that what it is doing is ‘real’, as opposed to the acting and pretending that goes on elsewhere. ‘Performing the Real’ was the subject of the 2009 symposium held as part of SACRED. This time we are turning away from the ‘real’ to think about the many ways in which performance is still interested in make-believe, and how make-believe itself might turn out to be part of the ‘real’.The current financial crisis has revealed how the system upon which we supposedly all depend is itself dependent upon how much we believe in it. Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist.A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in? The symposium will feature: * a discussion with Richard Foreman (Ontological-Hysteric Theater); * keynote presentations from performance scholars Sara Jane Bailes, Jen Mitas, and Nicholas Ridout; * performative provocations from artists Karen Christopher and Sara Juli, also presenting work in the SACRED season; * break-out panels from a range of researchers and artists; * a Long Table discussion hosted by Lois Weaver; * the attendance of Richard Maxwell (New York City Players) and PS122 Director Vallejo Gantner; * the UK premiere of New York City Players’ ADS.

Sacred Symposium: A Make Believe World - Long Table discussion

Artist/Author: Lois Weaver | Reference: D1526 | Type: DVD

Symposium programme notes:This symposium will consider questions of performance, belief, and credit.One way in which some kinds of performance distinguishes itself from other kinds – that sometimes go under the name of ‘theatre’ – is by emphasising that what it is doing is ‘real’, as opposed to the acting and pretending that goes on elsewhere. ‘Performing the Real’ was the subject of the 2009 symposium held as part of SACRED. This time we are turning away from the ‘real’ to think about the many ways in which performance is still interested in make-believe, and how make-believe itself might turn out to be part of the ‘real’.The current financial crisis has revealed how the system upon which we supposedly all depend is itself dependent upon how much we believe in it. Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist.A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in? The symposium will feature: * a discussion with Richard Foreman (Ontological-Hysteric Theater); * keynote presentations from performance scholars Sara Jane Bailes, Jen Mitas, and Nicholas Ridout; * performative provocations from artists Karen Christopher and Sara Juli, also presenting work in the SACRED season; * break-out panels from a range of researchers and artists; * a Long Table discussion hosted by Lois Weaver; * the attendance of Richard Maxwell (New York City Players) and PS122 Director Vallejo Gantner; * the UK premiere of New York City Players’ ADS.