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Trajal Harrell: Hoochie Koochie

Editor: Leila Hasham | Reference: P3256 | ISBN: 978-0-9957082-1-1 | Type: Publication

Exhibition catalogue for the eponymous performance exhibition. The Barbican, 20 July to 13 August 2017.

Home is on my Mind

Artist/Author: Sheena Rose | Reference: P3249 | Type: Publication

Artist book made in the style of zines. Includes an NYT article.

Touching home : an interview with May Chan

Artist/Author: Christine Conley | Reference: A0740 | Type: Article

Interview with Hong Kong-born poet and performance artist, currently active in Kingston, Ontario. Considers aspects of domestic life in relation to the artist's experience as a woman in both Chinese and Canadian cultures.

George Chakravarthi documentation

Artist/Author: George Chakravarthi | Digital Reference: EF5234 | Type: Digital File

Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.

Schooling the Spectator in O

Artist/Author: Kristen Cochrane | Editor: Natasha Lushetich and Mathias Fuchs | Reference: A0731 | Type: Article

On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016

Barbers of East London

Artist/Author: Paula Harrowing and jamie lewis hadley | Reference: P3189 | Type: Publication

A new publication celebrating the various communities of barbershops across East London. Comissioned by CUT Festival: The Art of Barbering.

Elephant Head on White Body: Reflexive Interculturalism in Ganesh Versus the Third Reich

Artist/Author: Marcus Tan | Reference: A0715 | Type: Article

Analysis of representation and interculturalism in Back to Back Theatre's production.

Because of Hair; The Dichotomy of Culture and Identity

Artist/Author: Vivian Chinasa Ezugha | Reference: P3180 | Type: Publication

Using memories of her experience of masquerades in Nigeria, the artist employs movement and masks of hair as power objects, which conceal and reveal the black body, the black female.

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