Documentation of a public art project on the Greenwich Peninsula, created by artist Kerry Morrison in collaboration with local residents, schoolchildren and their families, as part of Stream’s Peninsula programme of commissions.
Book examining the changing attitudes toward the city as the site for public art.
Thirty texts written by Suzanne Lacy since 1974.
A critical framework for understanding and interpreting the new public art that has emerged over the last two decades. Featuring twelve essays from editor Suzanne Lacy: and eleven eminent artists, curators, and critics. Chapters titled as follows: An Unfashionable Audience, Public Constructions, Connective Aesthetics: Art After Individualism, To Search for the Good and Make It Matter, From Art-mageddon to Gringostroika: A Manifesto against Censorship, Looking Around: Where We Are, Where We Could Be, Whose Monument Where? Public Art in a Many-Cultured Society, Common Work, by Jeff Kelley, Success and Failure When Art Changes, Word of Honor, Debated Territory. This item is referenced in the Dreams for an Institution Guide (P2313).
Investigation into collective and collaborative creative practice of marginalised artists of the art world. Reverend Billy Talent and the political economy of the art world. This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Practice Based Research into Cultural Democracy and the Commissioning of Art to Effect Social Change.
Presentation transcript. In Miscellaneous Articles 3.
Beatrice Pepper Velloso, visual artist and professor at the School of Fine Arts, Federal University of Rio de Janeiro. Language: Portuguese
On the nature of public art. Shelved in Oversize publications section (1 of 2 boxes)