Catalogue > By Keyword > public art
52 results | Page 2 of 5
Activism Doubt
This visual report is the result of a series of public works wherein Jonas Staal and Harmen de Hoop used each other as performers for their work.
William Pope.L – Live Culture: Performance and the Contemporary
Recording of William Pope.L’s intervention at Live Culture, a programme of Live Art performances, debates and presentations curated by Lois Keidan and Daniel Brine of the Live Art Development Agency and Adrian Heathfield.
Welcome
Collection of images and documentation for Choi Jeong Hwa’s first UK solo show in Wolverhampton Art Gallery, 2007. This item can be found in the Orange Oversized Shelf.
The Promised Land
Artist-in-residence project on Cabot Circus building site, Bristol. Includes DVD.
A Space for Live Art, 2008-2013
The Master Plan
Artist book documenting the Wrights and Sites’s public art project commissioned as part of Sea Change programme, a national initiative to support the rivitalisation of British seaside towns in 2010. Includes found material, photographs and conversations exploring the context of regeneration in contemporary art practices. Includes press release leaflet.
Collective Echoes – Projects for Public Space
This catalogue re-contextualises a series of public projects implemented between 1998 and 2002 within the city of Vancouver, British Columbia.
Hilary Gilligan – Artworks
The CD includes a powerpoint presentation of the work by the Irish/Canadian artist and a short biography and artist statement.
100 Califlowers
Documentation of a public art project on the Greenwich Peninsula, created by artist Kerry Morrison in collaboration with local residents, schoolchildren and their families, as part of Stream’s Peninsula programme of commissions.
Dialogues in Public Art
Book examining the changing attitudes toward the city as the site for public art.
Leaving Art: Writings on Performance, Politics, and Publics, 1974–2007
Thirty texts written by Suzanne Lacy since 1974.
Mapping the Terrain: New Genre Public Art
A critical framework for understanding and interpreting the new public art that has emerged over the last two decades. Featuring twelve essays from editor Suzanne Lacy: and eleven eminent artists, curators, and critics. Chapters titled as follows: An Unfashionable Audience, Public Constructions, Connective Aesthetics: Art After Individualism, To Search for the Good and Make It Matter, From Art-mageddon to Gringostroika: A Manifesto against Censorship, Looking Around: Where We Are, Where We Could Be, Whose Monument Where? Public Art in a Many-Cultured Society, Common Work, by Jeff Kelley, Success and Failure When Art Changes, Word of Honor, Debated Territory. This item is referenced in the Dreams for an Institution Guide (P2313).
