Catalogue > By Keyword > performance
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Weathering the Storm documentation
Documentation from the LAUK Gathering, at Watershed, Bristol on 12 February 2015. The Gathering considered the idea of the Storm as a metaphor for change.
Failure
Collection of lottery tickets bought by Scottee for ‘Double Your Money’.
Beaconsfield: Chronic Epoch
The first major book on the more than 20-year history of Beaconsfield, an important artists association in London founded by two trained painters David Crawforth and Naomi Siderfin.
Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance
Siona Wilson investigates the charged relationship of sex and labour politics as it played out in the making of feminist art in 1970s Britain.
The Future Show
The Future Show is both a performance and an on-going project. It is a piece that tells the story of a one person's future, starting from the end of a performance and going until the end of her life.
Cruising Utopia: The Then and There of Queer Futurity
Cruising Utopia considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O’Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future.
Double Your Money with Scottee documentation
Documentation from Double Your Money, LADA's Catalyst supported initiative offering artists £1,000 and inviting them to turn it into (at least) £2,000 which would be split equally between the artist and LADA.
Contemporary Theatre Review: Theatre, Performance and Activism - Gestures towards an Equitable World
Special Issue; Volume 25, Issue 3.
MOLA 2013 Programme
Mostra OSSO Latino Americana de Performances festival programme, 2013. Includes an introduction by Dani Felix. In Spanish and Portuguese.
Dada in Paris
Published in France in 1965, the book reintroduced the Dada movement to a public that had largely ignored or forgotten it. More than forty years later, it remains both the unavoidable starting point and the essential reference for anyone interested in Dada or the early-twentieth century avant-garde. Translated by Sharmila Ganguly.
