Short performance for camera documenting the duo of sibling’s art of the lived experiment.

Recorded at the Barbican, London, in January 2010, this triptych examines and interrogates the joys and complexities of being a woman. 

Review of performances from the Sydney Gay and Lesbian Mardi Gras at Performance Space, Carriageworks, Sydney, 13-15 Feb.

The author reviews the performances presented at PuSh Festival 2014, Vancouver.

Helen Cole, artistic director and chief executive of London’s In Between Time Festival, talks about the distinct curatorial strategies required for visual art and performance.

This interview explores connections within editor Bonnie Marranca’s work and considers the way in which it has developed in conversation with artists in and around New York.

In this article, Tom Sellar begins to define the mercurial role of the performance curator that has been emerging at the intersections of theatrical practice and the visual arts and their presentation.

Collection of video documents of the Swedish performance artist’s work.

The author discusses walk+talk – Philipp Gehmacher’s durational project inviting choreographers to deal with the driving parameters of their practices in simultaneously physical and verbal solo-explorations on stage.

The author analyses several contemporary performances as examples of artistic critique of current ideological canons and power structures governing labour relations in the globalised capitalist production.

Article exploring the relationship between the critical categories ‘performance’ and ‘labour’ through the broader term ‘practice’ developed in Marx’s more mature writings.

A two DVD set exploring both Fabre’s stage and visual art output. This item can be found in the locked glass cabinet.