Published in France in 1965, the book reintroduced the Dada movement to a public that had largely ignored or forgotten it. More than forty years later, it remains both the unavoidable starting point and the essential reference for anyone interested in Dada or the early-twentieth century avant-garde. Translated by Sharmila Ganguly.
Documentation of the sixth edition of Points d’impact festival in Geneva (2011), titled Who’s Afraid Of Performance Art? Includes performances, conferences and credits.