An exerpt from an integrated dance/film work, written, costumed, performed by and directed by Professor Aggiss, which fuses the screen mediated body and fictional and factual archive film as textually embedded into an original 60-minute live solo performance. This work continues to investigate the shifting nature of public presentation, structure and delivery systems within contemporary dance.

Video documentation of an interactive sound installation containing the oral histories of 10 ordinary people who have been buried in Syrian gardens.

Video commisioned for “Documenting Intimacy”, a research initiative piloted by Brian Lobel and Marisa Zanotti to explore documenting one-to-one performance from the perspective of artists.

This publication is an homage to “Paris Is Burning”, Jennie Livingston’s brilliant and award-winning 1991 documentary that captures the 1980s New York drag ball scene.

Pity is a performance piece made into a film. Performance at LUPA FETE June 2013. In the 1970s the original collection boxes were a common sight outside Scope charity shops (formerly known as The Spastics Society). 

Document of essay presented at the Performing Documents Conference (Arnolfini, Bristol), 12-14 April 2013, exploring how performance archives can be situated in the cultural and critical context as sets of relations eliciting the meaning and force of events lived primarily in and through the in(tra)corporeal.

Video exerpts of a performance work for PayneShurvell, presented as part of the I am a Fantasy exhibition, 15 April to 21 May 2011.

Video documentation of an interactive performance designed for a single audience member set in a busy café environment.

Article on how intimate performance develop the relationship between audience and performer/performance.

Video documentation of interactive performance for two audience members set between a street and a second story window.

Video documentation of a performace work exploring gender as a series of social investments manifest through intersubjective symbolic exchange.

Existing as both a website and in free, printed form, this multi-layered, multi-voiced Guide is a key component of LADA’s “Restock Rethink Reflect Three” mapping and marking the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. Curated by Lois Weaver in collaboration with Eleanor Roberts and LADA.

Are we there yet? Study Room Guide on Live Art and Feminism