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Fever: Art of David Wojnarowicz

Editor: Amy Scholder | Reference: P2903 | ISBN: 978-0847821440 | Type: Publication

Published in conjunction with a major retrospective of the artist’s work at the New Museum of Contemporary Art, New York, January – April 1999. Includes excerpts from Wojnarowicz’s writings and essays by Dan Cameron, Mysoon Rizk, C. Carr and John Carlin.

BODY

Editor: Anthony Bond | Reference: P2896 | ISBN: 9780958720601 | Type: Publication

Published to coincide with the 1997 showing at the Art Gallery of New South Wales in Sydney, Australia, of works featuring nudes by around 100 modern and contemporary artists. Includes essays, artists’ bios, bibliography.

Yayoi Kusama: Inventing the Singular

Artist/Author: Midori Yamamura | Reference: P2892 | ISBN: 978-0262029476 | Type: Publication

Yamamura eschews the usual critical fascination with Kusama’s biography to consider the artist in her social and cultural milieu. By examining Kusama’s art alongside that of her peers, Yamamura offers a new perspective on her career.

Ocaña, 1973-1983: Acciones, Actuaciones, Activismo

Editor: Pedro G. Romero | Reference: P2879 | ISBN: 9788498503579 | Type: Publication

Devoted to the largely forgotten Spanish artist; published for the eponymous exhibition. In Spanish, Catalan, Basque and English.

Pepe Espaliu

Editor: Valeria Varas and Raul Rispa | Reference: P2889 | ISBN: 978-8496130166 | Type: Publication

Monograph. Includes artworks and writings by Pepe Espaliu, introductory essay by Juan V. Aliaga, with additional essays by Adrian Searle and Marie-Laure Bernadac.

Yayoi Kusama

Artist/Author: Laura Hoptman, Udo Kultermann and Yayoi Kusama | Reference: P2888 | ISBN: 978-0714839202 | Type: Publication

The first ever monograph on the astounding 40-year career of this established, deeply daring and tirelessly experimental artist, who represented Japan at the Venice Biennale in 1993. It was published to coincide with an exhibition in 2000 at the Serpentine Gallery.

Ana Mendieta

Editor: Gloria Moure | Reference: P2887 | ISBN: 978-8434308213 | Type: Publication

This publication sets out to make Mendieta's figure more public in order to secure her rightful place in the chronicle of contemporary art.

Black Artists in British Art: A History since the 1950s

Artist/Author: Eddie Chambers | Reference: P2846 | ISBN: 978-1780762722 | Type: Publication

Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.

Andy Warhol: Death and Disaster

Editor: Ingrid Moessinger | Reference: P2851 | ISBN: 978-3-7356-0046-2 | Type: Publication

Catalogue for the Kunstsammlungen Chemnitz exhibition Andy Warhol: Death and Disaster, curated by Heiner Bastian. November 2014 – February 2015.

Exploding Galaxies: The Art of David Medalla

Artist/Author: Guy Brett | Reference: P2834 | ISBN: 978-0947753061 | Type: Publication

A book on the multi-disciplinary and experimental practice of artist David Medalla, who was born in the Philippines. Based in London since the 1960s, he has made an effort to remain independent of the art market and the institutional structure. Artist biography, bibliography and illustrated documentation of works included.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Carolee Schneemann: Unforgivable

Editor: Kenneth White, Ron Hanson | Reference: P2819 | ISBN: 978-1908966513 | Type: Publication

The most thorough visual overview of Schneemann’s work to date. Organized by five interrelated categories—Interviews and Correspondence, Painting, Cinema, Sites, and Technological Processes—this volume brings together previously published essays and interviews by authorities on the artist’s work.

Daring to be Present: An Interview with Carlyle Reedy

Artist/Author: Eleanor Roberts | Reference: A0643 | Type: Article

The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.

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